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“The willing suspension of disbelief,” mimesis, and “Eat, Pray, Love”

In Samuel Taylor Coleridge’s 1817 text of the Biographia Literaria, he records that he and William Wordsworth, while neighbors, discussed often the “two cardinal points of poetry,” with Wordsworth more invested in the “faithful adherence to the truth of nature” and Coleridge more involved in the “interest of novelty…[introduced] by the modifying colours of imagination” in their mutual work, the Lyrical Ballads.  Whereas Wordsworth composed the poems of which the “subjects….[were] drawn from ordinary life,” Coleridge says “my endeavours…[were] directed to persons and characters supernatural, or at least romantic, yet so as to transfer from our inward nature a human interest and a semblance of truth sufficient to procure for these shadows of imagination that willing suspension of disbelief [italics mine] for the moment, which constitutes poetic faith.”  These words are among the most famous words in the English literary critical canon now, and yet so often it is easy to forget that this is that which we must practice when we meet up with something literary, whether in poetry, fiction, non-fiction even, a “willing suspension of disbelief.”  It is this which encourages us to keep reading at some of those inevitable points where our own feelings, thoughts, and personalities fail to click with that of our erstwhile authors.  Now, bookmark that series of thoughts while I pull up my second series, on mimesis, or to put it simply and complexly at once, “imitation,” as the mimicry of thoughts, feelings, actions, and characters is called in literary theory.

In Mimetic Reflections:  A Study in Hermeneutics, Theology, and Ethics, William Schweiker quotes Paul Ricoeur (from “Metaphorical Process as Cognition, Imagination, and Feeling”) thus:  “‘To feel, in the emotional sense of the word, is to make ours what has been put at a distance by thought in its objectifying phase.  Feelings, therefore, have a very complex kind of intentionality.  [T]hey accompany and complete the work of the imagination as a schematizing, a synthetic operation:  they make the schematized thoughts our own'” (p. 107).  Though I may be interpreting this too facilely, at least one thing that this passage means to me is that it is the reader as well as the writer who “mimics” the emotions, “thinks” the ideas, and even “performs” the actions which the writer is putting in the text, because the reader, according to Schweiker and Ricoeur, is part creator of the text, in following it.

Now as to the particular text I have it in mind to consider in the light of these two rather heavyweight bits of literary theory–they are heavyweight, that is, by contrast with the rather more currently topical and popular (as of 2009) Eat, Pray, Love, which I am apparently one of the least topical in reading, as I have only just finished it yesterday, and I don’t plan to see the movie.  It’s necessary to say up front that I didn’t expect to find anything much in it for me, expected to be bored or annoyed or both by the topic as well as by the execution and writing style.  I had been warned that the writer herself said something about having gone off her medication, and having had visions of sorts, and of having bizarre religious (or pseudo-religious, so the story went) experiences, as well as being well-off by average standards and therefore more privileged than the rest of us to slide by with these sorts of shenanigans.  We all know that the wealthy do as they please.  But when I actually got into the book, I found it likeable rather than not, certainly not sensible in strict terms, perhaps, but touching, exploratory, sincere, and in short, I kept reading.  I read and read, and though I have to confess that the happily-ever-after ending gave me pause (as why wouldn’t it in this skeptical age), all in all I was glad, very glad, that I had read the book.  It opened up a window and gave me fresh air to breathe, which is where the whole involved tangle of “willing suspension of disbelief,” “poetic faith,” and “mimesis” comes in.  Because I was able to suspend judgement once I got even a little way into the book, I felt at least poetic faith in Elizabeth Gilbert’s claims and assertions about her experiences in Italy, India, and Bali, and it seemed to me afterwards that I had in a more intimate sense than usual taken the trip with her, “mimicked,” in fact, her escape from unhappiness.

Who can say what exactly brought this about?  Was the freedom to read something not strictly logical or praised for its literary quality granted by the warm weather that has come and gone and teased and gone again for the last week?  Did I just fall victim to all the early spring sunlight and fresh air, and therefore reach for a book that I wouldn’t normally have read without scoffing, and therefore gained a different kind, an internal kind, of “fresh air”?  Was I responding to some other hidden more mysterious personal impetus that drove me to keep reading?  All I can say is, though I will probably never again visit Italy even briefly (I was in Northern Italy for a day or so when I was seventeen), will never join an ashram in India (or practice serious yoga again), and will certainly never find myself in Bali teaching and learning from a Balinese medicine man and woman, the book brought me, by my “imitation” of its currents and prevailing winds as I read, permission to let myself out of some dark dungeon of the mind–though I haven’t truly been depressed or anxious in any specific sense.

It is for this reason that I recommend it to my readers, because if you can find sufficient “poetic faith” (that “willing suspension of disbelief”) to allow yourself to encounter some new thing, some fresh thing, something pleasantly unexpected (even if it’s another book entirely which you have been blocking yourself off from reading), and then “imitate” its patterns of feeling and thought as you read, there’s a good chance that eventually you may land upon some more hospitable shore than that of mere humdrum habit and routine.  True, Eat, Pray, Love is not what I would call a great work of art, or a monument to the ages–but everything worthwhile doesn’t have to be:  sometimes, a book can be simply a helping hand held out by an explorer of the fraught “human highway” (as Neil Young referred to it), and sometimes that is enough.

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“Why can’t I do anything right today?”–The curse of spring fever

This morning at 7 I thought I would have an early breakfast and then do something smart, beautiful, or fun.  At first, I had the idea to work on my newest novel, which until about the end of January had been stalled for almost a year.  I suddenly started working on it again then, and have worked on it every day or so ever since.  So, what’s wrong with today?  How is today different?  Dunno.  But I didn’t work on the novel.

Then, I thought that I would watch an opera on Met Opera on Demand on my computer.  But I left it too long to start, and when I calculated how long I had to listen and watch before an important call comes in early tonight, I knew I would get interrupted if I started it, and so bailed on that opportunity as well.

Oh, well, there’s always that computer game I like to play, I thought.  Maybe I should go through the dungeon and defeat a few more monsters and villains.  But frankly, enthusiasm was lacking.  I was bored with the easy battles and didn’t have the interest or energy for the hard ones.  Besides, my characters needed to buy more equipment and change some things, and I was bored with them too.

That eliminated smart, beautiful, and fun.  What was left?  By the time I’d finished lunch, that left doing something by rote just to pass the time.  So, I went for a walk.  And suddenly, I knew what was wrong.  It’s 56 F today, gorgeous sunny weather, and yet another big storm is expected to hit tomorrow (one hopes the last of the season, but then who can tell?).  I had spring fever, as plain as the nose on anybody’s face.  And I still have it.

So, I thought, what can I do until dinner time?  Write a post.  But I just started another book and haven’t had a chance to prepare anything literary yet, so what am I supposed to post about?  What are other people doing?  Are they enjoying the same break from the winter blahs while realizing that it’s short-lived and that snow or at least rain in buckets is back with us tomorrow and Thursday?  And then, I just decided to write about that.  Nothing, really.  Just a post to say “hello readers, I hope you’re reading my site, and won’t mind too much if I cause you to waste a little time today on ‘nothing, really.'”

Or, you can talk to me.  If you’re in a different part of the world, your weather may be different, and instead of trying to last out the tail-end of a miserable winter, you may be whinging and complaining about the last of a hot, arid summer.  Or maybe you’ve already had the rain and snow that was predicted, and are just stepping back in from shovelling out or are wringing out your clothes and taking off soaked galoshes.  Whatever your situation, feel free to drop a line if you want, just to communicate with the great outside world.  That’s all I’m doing today, after all.  And now it’s time for iced coffee, one of the first of the season (we live in hope); ta for now!

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Begging your indulgence….

Dear Readers,  Here am I, more than a week from having done my last post, and with nary a one in sight so far.  I need to beg your indulgence for a while longer, however, as I am busy with a novel and with making “something special” for a couple of friends who have had some health issues recently.  Though I mean to post soon, it may be a few days yet before I take the time to do so, so until then, I’ll just politely ask you (as my grandfather would say when someone complained of not having a comfortable place to sit and wait for some event or other to transpire) to “sit on your fist and rear back on your thumb.”  Though on first encounter this doesn’t sound polite at all, I realize, it’s a way of saying to the impatient ones (often us children) that there’s no place to sit right now, and one is better employed in ingenious ways of amusing oneself than in complaining.  Not, you know, that I’m so self-flattered as to assume that everyone is awash with agony because I’m not writing right now, but I have to provide alternative entertainment just a little, so I thought I’d just share the dialectal expression my grandfather used as a way of bringing a temporary grin to your faces.  And now, farewell until the next post, coming ASAP, shadowoperator

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…And a Happy New Year! You having one, I wish, that is….

Does my title sound a tiny bit discombobulated?  As if perhaps I had been partaking too generously of the Christmas and New Year feasts and imbibing too much of the wines and spirits of the same?  Well, you caught me; I have.  And it has made my New Year’s post, such as it is, a few days latte.  I mean, that is, a few days late (will I ever recover from such treats as the delicious but perverse Bolthouse pumpkin spice latte my brother treated me to for the second holiday?  Likely not for a while).  And, as befits life in a cold climate (which is what this part of the temperate zone feels like now, going down below reasonable temperatures entirely), I am trying to finish up my first cold of the season, which started before baking time in November, let up or went away entirely in time for Christmas baking, then returned or resumed or just plain started all over again once I was on vacation.

At any rate, this is just a short season’s greetings post to acknowledge that I’m still alive, despite chills and phlegm, and have successfully made my way into a new year, with the help of close family and friends.  I hope you have done the same (without the chills and phlegm), and I’ll be trying to finish up my sixth novel in the New Year (a novel which technically is the fifth of my non-sequential sequentially oriented novels, but the sixth one actually came out first, last year).  As I explained at the time I published the true sixth novel, the novels are symbolically sequential, but not parts of a series which must be read in a certain order, so cheating in such a way was really only cheating my own expectations and goals.  As well, I will be continuing articles and reviews of books, poems, stories, and etc. in the New Year, and trying to get back to a more regular posting schedule.  Those of you who have been following my site for some time know that I have promised this once or twice already, but have been derelict in my duty thus far, often waiting more than a week lately between posts.  This holiday season has so far been the longest hiatus in my memory since I first began posting in July 2012.

Be these things as they may, I’m taking this opportunity to wish all of you the best on what some people find the second most depressing day of January (January 2nd being the first).  Don’t worry, though, there’ll be plenty of other days in January and February for those in the Northern Hemisphere temperate zone to get depressed, with the help of various weather systems still to come.  Those of you in the Southern Hemisphere temperate zone can’t even gloat, because you’ll have your winter coming up as well!  Still, we’ve all celebrated at least one New Year’s Day this year, maybe more for people who participate in more than one culture, so let’s look forward with happy anticipation and hope as best we may, since the saying goes that what you get is what you expected to get (otherwise known as the “self-fulfilling prophecy”).  Happy New Year!

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The Scroogiest time of year….and here I thought it was the season of joy and peace!

Hello, my (I hope) loyal readers!  Though I have been away from posting for about two weeks now, and have nothing literary to contribute today, I nevertheless have something to say.  I was at my brother’s in Vermont for an extended period of time over the Thanksgiving break because we were working as a family unit to plant garlic and build a greenhouse and cook meals and watch a young misbehaving (sweetheart) of a dog, and enjoy youthful games with a ten-year-old family member, and other chores and duties.  We were looking down the road to a happy if more economical Christmas holiday break again three weeks from now in Vermont, when we got home today to a nasty surprise:  sometime during our absence, someone had super-glued our condo door, and we couldn’t get in.  We had several days’ groceries with us including frozen foods, which we had picked up on the way back home from our trip, and two large carriers full of luggage and vacation bedding, and we were outside our condo in the hall for nearly two hours while we waited for the locksmith to come.

We found what people’s tried and true selves were as we confronted our dilemma, but not everyone is playing with a clean hand (and some not with a full deck, apparently).  The probable cause of our situation?  There has been for several years now an intimidation factor going on in our condo building, and other people have had packages from the postal service stolen, items on cars damaged, things wrecked, mailbox and now (with us the evident first) condo doors damaged with superglue, among other acts of vandalism.  There have been additional sorts of outrage going on which are harder to pinpoint, and no exact culprit or culprits has been located, because even though the building has several times discussed getting security cameras in the common areas, nothing yet has been done.  This time, because our door was damaged from the hallway (which is a common area) the condo board was gracious enough to take the charge of payment for us.

The root source of all this, in an apparently middle-income to upscale building (depending on how high up you live)?  It’s hard to pinpoint too, except that for several years now there have been two factions in rivalry for the unpaid positions of being on the Board of Trustees, and the additional hired jobs that are decided by the board.  The pot is on the boil, and things have gotten steadily worse.  How did we get involved?  My roommate, who is my mother, a conscientious, highly intelligent, and tactful person with many friends, merely stood up in a meeting and said that we should all try to get along better the way we used to do, and that it would have been odd if the newest elected board members were the ones doing the vandalizing (or any of their contingent friends, or allies), because why would they?  They had gained power by a legitimate election.  She wasn’t taking sides, she was just using her noggin and voicing an opinion.  This was all she said, and someone bided their time and waited until we went out of town and vandalized our door.  Now, it’s useless to point fingers.  In even the best communities, there are people who do damaging things because they are just wacko or wired differently from other people, and each person who has heard about it (with the exception of the one or ones who know they did it themselves) has a slightly different take on who’s guilty.  The police came to take a report and were able to verify that many other incidents had happened in our building in the last few years, and that it wasn’t entirely unusual to find such situations even in otherwise “nice” buildings.  We are finding sympathy everywhere, and empathy among some who’ve had the same thing happen to them.  And this situation is why–despite my mother’s strong and ebullient recovery from the negative surprise–I call this the Scroogiest season.  This is the atmosphere not of fairness and equity which is supposed to obtain in a community like this one, but an atmosphere of special patronage and thuggery.  We don’t live expensively, and had the Board of Trustees not guaranteed my mother repayment of the damage repair costs, it would have been a hardship which hadn’t been figured into the monthly amounts.

Here’s hoping the Christmas season brings the notion of concord and graciousness back to people’s minds, when true friends can be true friends, and enemies can bury the hatchet somewhere other than in each other, and we can all re-learn joy and peace, not just for a short time or a cold winter season when people are lethargic anyway, but for a permanent part of our lives and living arrangements.  And here’s hoping you yourselves are enjoying or are preparing for a lovely holiday of whichever one is yours this year:  may it be a comforting and enlightened one!

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“The greatest pleasure is relief from pain.”–Anonymous

Recently, I’ve had an opportunity to devote some intense thought to the saying in the title of my post, i.e., “The greatest pleasure is relief from pain.”  And while I know that there are many great pleasures in life, some so fine and worth pursuing and enjoying that it’s hard to imagine what could be greater, yet when one is in deep pain from emotional causes or from physical injury, the devout prayers one sends up to whatever being or force one happens to believe in, or the simple secular longing for equilibrium and away from the extremes of pain are so strong that I begin to agree with the anonymous author of my quote.

Now, first of all I must say that no one else is responsible for my quandary vis-à-vis pain.  About a month ago, I over-stretched a muscle or tendon in my left hip, and instead of putting ice and then heat on it in the recommended fashion, decided (or rather simply neglected decision-making altogether) in favor of waiting it out.  It was only a minor mishap, and it would heal, as all my previous mishaps had before.  Only then one night in an equally stupid fit of hubris, I leaned out sideways and down from my new high bed to pick up something I had dropped, and raised myself back up by the inflamed muscle without other support.  My hip had never given me any trouble much before, or when it had–and I had to admit to myself that occasionally I’d felt a twinge when sitting too long in my easy chair–the twinge had always disappeared again.

Loyal to me and my purposes, the hip only fussed a little at me in the next two weeks, but I just ignored it and assumed that it would stop after a while, if only I stayed active.  But then came the real test:  I went on vacation and exerted myself and slept with a heating pad on my back in intervals all night long–and contrary to what I had supposed, and what seemed at first to be working, I should’ve been using ice–until one fine night, after gradually getting worse and worse, the hip and my lower back and waist all combined to overthrow my dominion over pain:  I was actually crying aloud with pain from every movement, however gentle, and could not get up out of bed without it taking me at least ten minutes to do so.  I kid you not.  I sat up for hours at night on the most comfortable couch it’s been my good fortune to meet, with the heating pad still on my back, and yet I had aggravated my anatomy to such an extent that every movement still brought pain.  When my host (my brother) arose the next morning, he asked me “Are you ready for those pain-killers yet?”  He had offered me a strong dose of over-the-counter meds the night before, but I had been too afraid of taking so many pills:  but by the next morning, my whole body was crying out, “F— that, I want those pills!”

It was time to come back home anyway, so I dosed myself up with as much pain medication as was available and I was able to travel for the requisite 3 hours in the car to get to an emergency room near home.  Not that it was pain free:  every jolt and bump and sudden stop on the road was another agony, but luckily I was doped up enough with the pain meds that I didn’t scream out with pain and distract the driver or cause an accident.  Then came the next part of the ordeal:  the examination to make sure that it wasn’t actually my liver or my spleen or my kidneys or my gall bladder or etc.–I knew what it was, but doctors like to hedge their bets (and mine), so I put up with it.  They ended by giving me some stronger prescription muscle relaxant and pain meds, and discharged me.

This story has several morals, the most significant one of which is that as we get older we can no longer assume that our anatomies are going to keep tolerating various abuses as they did when we were younger.  Another is that when you’re in pain, ignore the “stiff upper lip” routine and admit you’re not a superheroine and do something about it.  Finally, when someone offers you relief from pain, unless they are a known felon and pusher (which my brother with his pain pills was not), seriously consider taking the pills the first time they’re offered.  And remember:  every time your vacation to Jamaica is cancelled, or you have to pass up the champagne with dinner because you have a headache, or you don’t get to go to the amusement park as you’d planned, there’s always one pleasure greater than all those things rolled into one that you may someday experience, though at some cost–“The greatest pleasure is relief from pain.”  You can quote me on that!

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What is it about opera? It’s so over-the-top!

And now comes the time for a full confession.  Recently (my last post, in fact) I wrote a bit about being away from home, travelling, and therefore not doing as much posting as usual.  A few weeks ago, I wrote a little post about Monsters’ Den:  Book of Dread and Monsters’ Den Chronicles, which was yet another of my excuses for not posting on my old regular schedule of once every three to four days.  Now is the time finally to make the third part of my tripartite revelation, and say what else I have been doing (partially on my summer vacation) that has taken me away from the posting screen on my computer at WordPress.com.  And that’s listening to opera (and watching it) on my computer on Met Opera on Demand, which is immensely good and more affordable than full stage or screen opera for someone of my limited income, and which fills my very heart with delight.

That is, sometimes my heart is filled with delight.  At other times, my heart is filled with angst, or with bitter remorse as I recall an old relationship in which I acted much as some opera character acts.  Or perhaps moments of fleeting and evanescent passion or joy take center stage, and I allow myself to be pulled along with them, on wings of song (as the saying goes), loving and hating and sympathizing (or empathizing, if the feeling goes deeper) with the characters I see before me.  Just yesterday, as Magda in La Rondine left her lover, Ruggero, I thrilled with response as the young lover repeated over and over again to her “Love!  Don’t leave me alone!  Don’t leave me alone!”  A couple of weeks ago, the Romany Carmen likewise rejected her lover José (who by chance was the same tenor as Ruggero in that later opera I mentioned a moment ago).  But what a difference in attitude the tenor assumed!  Whereas Ruggero was incapacitated with grief and wept what looked like real tears from a reclining position on the floor, when José was once convinced that Carmen meant it, he leapt to his feet and with a final roar of “Carmen!” stabbed her to the heart outside the bullfight ring in Spain, where Carmen had gone to join her new lover, a toreador.  Do I approve?  Do I acquiesce?  Does it seem like a good idea, to watch people behaving like children and barbarians, weeping at length over what can’t be avoided and killing people who fall out of love with them?  I would just ask, do we ever with any drama apply the same rules we do to life?  And the answer is, “No, we don’t.”  Even with comedy, when the Barber of Seville gets up to his pranks and plots for his favorite customers, do we question their morality, and his?  No, we don’t, because we’re too eager to see him succeed!  We love the characters he’s plotting on behalf of, and hope they get their way free and clear.  By whatever means necessary, as government spies are wont to say.

It’s not, of course, that we don’t apply some of life’s rules to drama:  after all, would there be any way of understanding why Azucena in La Trovatore becomes so overwrought with a desire for vengeance that by accident she throws her own child into the fire, intending this end for an enemy’s child?  Or how understand Rigoletto’s final belief in the curse supposedly hanging over him when he exclaims “the curse!” in the final moments of Rigoletto, unless we saw that, true to life, his own character had caused him, in combination with circumstances inflicted upon him, to fall victim to the curse?  How understand the whole concept of Fate as it rules so many of these strange and outré dramas, and how accept the twists and turns of characters not recognizing someone they know well because the person is wearing a new hat or a cape in the comedies, and the mistakes and hilarious happenings that occur because of these?  We have to see that some of these things have actually happened once upon a time in real life, and upon that tiny hinge of possibility, the much larger door of probability swings open for the composers’ and the librettists’ imaginations.  And of course, we make moral judgements, but these judgements are delayed or attenuated into a last-minute resolution only after we have been treated to a full-scale examination of all the passion and humor and exaggerated emotion which can be extracted.

Because, that’s what opera is about more than any other form of drama–exaggeration, going over-the-top, having the full experience of pain or joy or fun in a concentrated form.  And that’s why music is the central part of opera, why music is at the very heart of drama and why the sets are so lavish or at least emphatic even when minimal, why the costumes, even those of a beggar, are gorgeous and grand and picturesque, because the exaggeration of emotion is central here.  Music of all art forms touches us most intimately, and though we are visual creatures, we hear before we can see, and thus the stunning visual effects here play handmaiden to the ear and its domain.

So, that’s what I’ve been doing, and I intend to keep on doing it.  Obviously, the best place to see opera is the venue where it occurs, but not everyone can get to NYC or other famous opera locales, and not everyone can afford a season ticket.  If you’re interested in a huge inexpensive free catalogue of operas to watch and listen to, you can contact metopera.org and either opt for tickets for seeing some of the shows each season at selected movie theatres, or listening on the radio, or watching them on your computer, where as I can attest even those shows which are not in HD are of high quality.  As a novice at this form, however, having seen the occasional opera since my teens on PBS, but knowing little and only learning more now, I prefer to watch what operas I can in order to familiarize myself with the stories and to be able to visualize them; then, when I know what my favorites are, I can elect to hear certain artists I like especially perform on audio alone.  This season, I was able to obtain a subscribership to Met Opera On Demand (viewing and listening on the computer) for only $14.99 a month, and decided it was definitely worthwhile.  I hope you will be interested in doing the same, as opera is one of the few larger-than-life experiences guaranteed, like any art form, to supply drama and humor without personal pain.  I mean, you could be sniffing glue or blowing up buildings, but one would destroy you and the other would destroy other people and landscape, and who wants that, when they could watch Don Pasquale (in the opera of that name) try to work his way free of the toils his new “wife” is winding round him so that she can instead marry his nephew, and hear the nephew’s beautiful and evocative serenade to her from the garden?  There is a certain mercy obtained by living vicariously, and though opera among dramatic forms may not have a total corner on the market of vicarious blessing, it certainly is up there at the top.  What am I saying, though, it’s over-the-top, dramatic, larger than life, all the qualities I’ve discussed above (and now that like many an opera aria I’m beginning to repeat myself, I will just leave off with the coda and hope you may find your way to such pleasures on your own, leaving my recommendation to speak for me).

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Sorry, no literary post this week….celebrating!

Yes, I know, I promised not so long ago to increase the number of my posts so that I was closer to my original blogging schedule of at least 2-3 posts a week.  But life intervenes, in that inimitable way it has, and right now, I am away from home, waiting for my close relatives to come back from family soccer morning, sharing my solitude with 3 cages full of 8 baby bunnies that my brother and his son–the unforgettable Charles, who earlier if you will recall compared me to “Aunt Josephine” from The Wide Window in A Series of Unfortunate Events because I worry about him–have adopted.  Sad to say, the baby bunnies had sores and worms when they were brought home, which is what occasioned their sympathetic adoption in the first place, but my brother and nephew have treated them and brought them nearly to full health, with only a bit more to go before they can be caged outside in a warm hutch for the winter.

When I was young, I also had a rabbit, and my brother had one, but I didn’t pay much attention to it, or else I’ve forgotten some of its habits.  “The habbits of rabbits,” to coin a phrase, are funny.  They clean their paws, ears, and bodies much like cats, but make a great deal of noise licking and biting the water bottles that are attached to their cages.  They also eat a lot, almost constantly, it seems, though whether this is from boredom or necessity I don’t know:  you’d have to ask the rabbits in question.  They have big appealing brown eyes, and mostly pale, orangish-fawn colored bodies with the usual little white tails, except for the mottled and speckled two of the litter, which have the fawn and dark brown-sepia colored markings.  For some reason, evidently companionable concerns (it can’t be for warmth, since they’re inside the house), they can have a whole cage for space and yet prefer to sleep and cozy right on top of each other when they’re not eating or drinking.  They aren’t big on manners, since often when they’re eating, one or more of them will place both paws in the food bowl, effectively blocking the access of others.

Right now, the males and females are in separate cages, but my brother and nephew aren’t ruling out the possibility of increasing the litter for sale later on.  One thing’s for sure:  rabbits don’t smell like cats and dogs in their “toiletry” habits, which is great, because as long as the cage is clean, they are pleasant animals to keep inside (always barring the noise of their water drinking, which if it weren’t water ingestion would make you think you’d taken in a host of dipsomaniacs).  Another certainly (which my nephew and my brother both assure me of) is that I’m going to have to read Watership Down to fully appreciate rabbit culture.  And there, it’s a literary post in its way after all, with a commitment to read and review later on.  For now, I’m going to celebrate the family birthday we’re here for, and wish you the best until such time as I post again.  Hoppy trails!

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“A thinking woman sleeps with monsters. The beak that grips her, she becomes.”–Adrienne Rich

Yes, my post today is about monsters.  Once again, monsters have solicited my attention (I actually went in search of some of the more literal ones, but more of that anon).  The first monster that I want to write about, however, is the monster of vanity.  As Adrienne Rich points out above, “a thinking woman” (which I like to believe I am) “sleeps with monsters.  The beak that grips her, she becomes.”  Having been gripped by the monster of wounded vanity (why is it, I asked myself, that so often when I write my little heart out fewer people read, and when I don’t write for a whole week, my stats go up?), in my injured pride I said, “Take a holiday from writing, you aren’t being appreciated anyway.”  (So as you see, from only being momentarily attacked by the vain impulse, I let it have its head and actually became that empty being for a week, one who could be writing but isn’t, out of a sort of misdirected, misbegotten spite.)

Then, I found yet another quote about monsters, also apropos of this situation:  as Francisco José de Goya y Lucientes said, “Imagination abandoned by Reason produces impossible monsters:  united with her, she is the mother of the arts and the source of their wonders.”  The fact of the matter is, I wasn’t being reasonable, but was indulging an overactive imagination.  What about the many times when I had written frequently, and been rewarded not only by readers on my stats, but also by “likes” and even more by comments in return?  So, even if sometimes people do seem to be reading more when I don’t write, they are at least reading, and my monstrous vanity should be restrained in its imaginative excesses by a dose of Reason, since I would like to be thought of as somewhat “artful” in my pursuit of literary topics and truths.  This is what I told myself, today when I checked my stats again and was once again puzzled, but decided to write anyway, because I have been busy off fighting game monsters for almost a week now, and felt it was time to stop sulking and do a post.  Maybe compare notes with others who’ve had the same experience?

As George Seferis (Giorgios Sefiriades) made clear in his speech for the Nobel Prize, “When, on the road to Thebes, Oedipus met the Sphinx, who asked him her riddle, his answer was:  Man.  This simple word destroyed the monster.  We have many monsters to destroy.  Let us think of Oedipus’ answer.”  So, it’s not necessary to be an absolute drudge in one’s keeping of a series of posts, only a thinking woman [I take it Sefiriades wouldn’t have excluded Woman from the universal expression “Man”] who says something when she has something to say, and leaves the readers to enjoy what’s there when and if they can get around to it, just as she posts when she can get around to it.  Without fancy excuse or offended rejoinder.  And if by being more a part of Humankind and admitting to some faults one can best slay them, then all to the better.

Finally in my pantheon of notable quotes for the day, Friedrich Wilhelm Nietzsche had this to say about monsters and mirror images:  “Whoever fights monsters should see to it that in the process he does not become a monster.  And when you look long into an abyss, the abyss also looks into you.”  I have been playing (for at least the last five days, off and on) the Monsters’ Den:  Book of Dread follow-up game Monsters’ Den Chronicles.  It’s a new offshoot of the original game and has such weapons as vampiric swords and armor which suck your enemies’ health or power (or both, if you get a really prime piece of equipment), and “shadow” warriors on both sides, who mimic the abilities of the main characters or suborn their powers as their own.  Nietzsche wouldn’t have been amused (or would he?).  In this game, a misguided group of negative religionists have founded a dungeon that the player’s characters must go through, “defeating”–the word “killing” is rarely used–the enemy as best they can.  It’s not a matter of simply having a different religious preference (thank goodness for that, or who in their right mind would want to play it and incur the self-reproach of not being tolerant towards others’ beliefs?); it’s a matter of fighting “real-life” monsters like vampires, nightmares, banshees, ghouls, the general undead, and the acolytes, neophytes, and armored beings who keep them going.  That makes it safe for everyone’s conscience.  Certainly, however, the combative edge one needs to maintain means being ruthless, and many of the weapons and skill sets encourage this.

Why do I play, and what is the main thing I feel this game gives me?  Strategic lessons.  It’s not a multiple explosion, car wreck, violent blood spatter kind of game, but merely a game which occasionally has some imaginative visual effects of spells and potions and hits on enemy targets, and which sedately shows a small pile of bones like the ones on a pirate’s flag when you finally beat each enemy.  It requires careful thought and negotiations between various pieces of equipment you find/purchase in order to get the best “bang for your buck,” and you must constantly be on your guard and calculating the best means of balancing four characters’ differing skills and talents against any number of from one to six opponents of sometimes quite a superior number of “hit points” (life expectancy, potency, abilities).  I feel that my strategic thinking about what weapons to use in life has improved (whether we’re talking about words or tactics for living):  quick calculations of possibilities and potential outcomes is a skill like any other, and while some prefer to work crossword puzzles, I find this game more compelling (at least for now) than the crosswords I used to work so frequently.  And that’s my say (now, Nietzsche might think I’ve looked too long into the abyss and given it a chance to peer too deeply into me in return, but I don’t feel I’m a monster yet, if ever.  I’m extremely unlikely to assault anyone or act out in strange ways, as is the effect of some other sorts of computer games of the more violent variety, and as a really keen incentive, this dungeon system has a shopping emporium!  Could anything be more appealing to your average peaceable warrior than a chance to buy and sell equipment, potions, and miscellaneous items and upgrade all at the same time?).  Seriously, though, having fought my demons (even the vanity one) by taking a few days off and trying not to worry too much about stats (except the gaming kind) has given me a much needed breather from end-of-the-summer doldrums.  I do hope to continue to post regularly, but I thought a small dose of honesty wouldn’t come amiss, just in case you thought I had given up the ghost (let’s see, now, how many hit points does the average ghoul have….?).

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Filed under A prose flourish, Other than literary days....

Keeping myself off the road to hell with an “Ave atque vale”

As my more than useful, indeed precious, Dictionary of Foreign Phrases and Abbreviations tells me, I am following in Catullus’s footsteps if I take just a moment to say “ave atque vale” (hail and farewell).  Only, of course, as the book also says, the expression is “A Roman formula used at funerals when bidding farewell to the dead.”  So, this will tell you that though the sentiment is noble and arcane and resonant, it is not exactly “le mot juste” (the perfect expression) to use to my readers, for I hope they are all alive and kicking.    It would in fact be a “mauvaise plaisanterie,” or “bad taste in jesting.”  My joke is weak and slight, but I’m more obsessed with keeping myself off the road to hell (which as we know, is “paved with good intentions.”)  My good intentions originally were (as of a week or two ago) to keep up my posting schedule to make it a more frequent occurence than it has been lately.  But I’m finding this hard to do, partly because I’m in the middle of trying to read David Foster Wallace’s nearly 1000 pages novel Infinite Jest, not because I want to write a post on it (what a gargantuan task!), but just because.  If it weren’t for the crazy humor of the book which keeps me going, I would just throw up my hands and murmur in Latin (yes, at one point I was able to mutter in Latin) “Non omnia possumus omnes,” or as Virgil said in his Eclogues, “We cannot all do everything.”

Already, you are looking at this post, and if you are Italian, you are nodding wisely and saying to yourself, “Molto fumo e poco arrosto,” while if you are of the same mind but not Italian you are knowingly remarking “Much smoke and little roast meat,” or in more Shakespearean guise “Much ado about nothing.”  To which, in my desperation, I respond, again in my overwrought Latin passion for the clipped phrase, “Ex necessitate rei!” (“arising from the urgency of the case”).  After all, I would love to have something to say to you every day, and would willingly write a post a day as I originally started out doing, except that I can only read books, poems, plays, and short stories so fast, and as I’m sure you’re aware inspiration takes time, or to put it another way “Dal detto al fatto vi è un gran tratto”; but as many of my readers are English, French, or German speaking, perhaps I should just reveal again that this Italian expression means “It’s a long haul from words to deeds,” or to use the English turn of phrase, “There’s many a slip ‘twixt the cup and the lip.”  I feel uninspired; I feel dry and non-creative (or again as my Italian-speaking friends would say, “Dalla rapa non si cava sangue” (“You cannot get blood out of a turnip”).

There is, of course some benefit to being far from heaven’s inspiring touch, and that’s that one doesn’t become disordered in one’s everyday arrangements in order to pander to one’s creative whims, one doesn’t participate in the occasional craziness of being too near Mount Olympus (I know by now you’re expecting something in another language than English, and I’d hate to disappoint you, so I’ll just say that this sentiment can be expressed more succinctly as “Procul a Jove, procul a fulmine”–“To be far from Jove is to be far from his thunder”).  This is why, when “Ave atque vale” popped into my head this morning as all I really felt like saying for the moment (not speaking to the dead, but revising the significance of the saying to say “hiya; goombye for now” to people who might be expecting me to be coherent and lucid today), I thought that it must be fortuitous that the phrase had popped into my head, and were I an ancient Roman, would have said “Ducunt volentem fata, nolentem trahunt,” or “The Fates lead the well-disposed; they drag the rebellious.”  Meaning that I would rather follow what tiny thread of inspiration had appeared than just come up with another “no post today, sorry,” which for some reason I don’t mind hearing from others when they have other obligations than posting, though I always feel different about saying it myself.

So, anyway, today I jumped into my post, determined to avoid the road to hell even in imagination, telling myself (and I don’t even speak German, but I swear I was thinking the exact thought):  “Wer gar zu viel bedenkt, wird wenig leisten.”  (What I actually said was, of course, “The man [or woman] who considers too long accomplishes little.”)  Therefore, taking a little while to type this post, I’ve told myself in relation to glancing through my little book to amuse and inform you a bit, “Sophois homilon kautos ekbese sophos,” as Menander said in his (Greek) Monostichs: “If you associate with the wise”–the book, not me–“you will become wise yourself.”  And now, my work of getting out a post today is done, though you may be a little disappointed at its flimsiness (“Was man nicht kann meiden, muss man willig leiden”:  “What can’t be cured must be endured,” at least if you’re German).  To end, I will leave you with this thought:  I’ve done, I can no more, because I hesitate “vouloir rompre l’anguille au genou,” as I rarely “attempt to break an eel on [my] knee,” or “attempt the impossible.”  Good day, I have said what I had to say, or to end in Spanish, “He dicho!”

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Filed under A prose flourish, What is literature for?